Click on pictures to enlarge.
Kamasutra Angles of Penetration
An ingenious person should multiply the kinds of congress after the fashion of the different kinds of beasts and of birds. For these different kinds of congress, performed according to the usage of each country, and the liking of each individual, generate love, friendship, and respect in the hearts of women. (Kamasutra, 1883)
Those things which increase passion should be done first, and those which are only for amusement or variety should be done afterwards. (Kamasutra, 1883)
Though a woman is reserved, and keeps her feelings concealed; when she gets on the top of a man, she shows all her love and desire. A man should gather from the actions of the woman of what disposition she is, and in what way she likes to be enjoyed. (Kamasutra, 1883)
Such passionate actions and amorous gesticulations or movements, which arise on the spur of the moment, and during sexual intercourse, cannot be defined, and are as irregular as dreams. A horse having once attained the fifth degree of motion goes on with blind speed, regardless of pits, ditches, and posts in his way; and in the same manner a loving pair become blind with passion in the heat of congress, and go on with great impetuosity, paying not the least regard to excess. For this reason one who is well acquainted with the science of love (Kamasutra), and knowing his own strength, as also the tenderness, impetuosity, and strength of the young women, should act accordingly. The various modes of enjoyment are not for all times or for all persons, but they should only be used at the proper time. and in the proper countries and places. (Kamasutra, 1883)
Kamasutra – Anti Kamasutra (comedy)
The two kinds of embrace take place when the lover is standing are:
When a woman, clinging to a man as a creeper twines round a tree, bends his head down to hers with the desire of kissing him and slightly makes the sound of sut sut, embraces him, and looks lovingly towards him, it is called the ‘twining of a creeper’.
When a woman, having placed one of her feet on the foot of her lover, and the other on one of his thighs, passes one of her arms round his back, and the other on his shoulders, makes slightly the sounds of singing and cooing, and wishes, as it were, to climb up him in order to have a kiss, it is called an embrace like the ‘climbing of a tree’.
These two kinds of embrace take place at the time of sexual union:
When lovers lie on a bed, and embrace each other so closely that the arms and thighs of the one are encircled by the arms and thighs of the other, and are, as it were, rubbing up against them, this is called an embrace like ‘the mixture of sesamum seed with rice’.
When a man and a woman are very much in love with each other, and, not thinking of any pain or hurt, embrace each other as if they were entering into each other’s bodies either while the woman is sitting on the lap of the man, or in front of him, or on a bed, then it is called an embrace like a ‘mixture of milk and water’.
Babhravya has thus related to us the above eight kinds of embraces. Suvarnanabha moreover gives us four ways of embracing simple members of the body, which are:
- The embrace of the thighs.
- The embrace of the jaghana, i.e. the part of the body from the navel downwards to the thighs.
- The embrace of the breasts.
- The embrace of the forehead.
When one of two lovers presses forcibly one or both of the thighs of the other between his or her own, it is called the ’embrace of thighs’.
When a man presses the jaghana or middle part of the woman’s body against his own, and mounts upon her to practise, either scratching with the nail or finger, or biting, or striking, or kissing, the hair of the woman being loose and flowing, it is called the ’embrace of the jaghana’.
When a man places his breast between the breasts of a of Vatsyayana woman and presses her with it, it is called the ’embrace of the breasts’.
When either of the lovers touches the mouth, the eyes and the forehead of the other with his or her own, it is called the ’embrace of the forehead’.
Elizabeth Jane Hurley (born June 10, 1965 in Basingstoke, Hampshire, England) is an English model and former actress who became known as a girlfriend of Hugh Grant in the 1990s. Hurley was a struggling actress in 1987, when she met Grant while working on a Spanish production called Remando Al Viento. In 1994, Grant became the focus of worldwide media attention due to the global box office success of his film Four Weddings and a Funeral. Hurley accompanied him to the film’s London premiere and was noted for wearing a plunging black Versace dress held together with gold safety pins. According to The Guardian, Hurley was “then known as ‘Hugh Grant’s girlfriend,’ now known as ‘Hugh Grant’s former girlfriend,'” due to their high-profile romantic relationship that ended in 2000.