Oja Kodar made her first public comments about Orson Welles’ The Other Side of the Wind since signing the deal with Netflix that allowed its long-awaited completion to begin.
Speaking with the Croatian Audiovisual Centre, Kodar said Friday that she has opted not to see the finished film until its official release. (It will premiere at the Venice Film Festival and later be streamed worldwide by Netflix on November 2.)
Kodar expressed mixed feelings about the movie’s completion, which has been shepherded by producers Frank Marshall and Filip Jan Rymsza.
“For some time I thought it would be good to make a feature length documentary about all the problems struck by The Other Side of the Wind, but now I’m on the fence; maybe it’s better that the film has been made,” she said. “In any case, I don’t want to see it before the public does.”
Oja Kodar
Croatian actress
Oja Kodar is a Croatian actress, screenwriter and director, best known as Orson Welles’s partner during the latter years of his life, Jaded (1989), The Deep (1970) and The Other Side of the Wind (2018).
Born: 1941 (age 77 years), Zagreb, Croatia
Trivia
Orson Welles and Oja (real name: Olga Palinkas) met in Zagreb in 1962 while he was making a film (The Trial (1962)). He reportedly wrote a letter to her which he never gave but kept in his pocket until they met again in 1966. They immediately began their relationship.
Hers and Welles’ first project together, which began filming in 1967, was The Deep (1970) starring Jeanne Moreau and Laurence Harvey. It was abandoned in 1969 and left unfinished – one of the couple’s many projects that fell through.
Around 1969, in a Charles Foster Kane/Susan Alexander like move, Welles renamed Olga “Oja Kodar” and started building her up Svengali-style to become a big star. As in Citizen Kane (1941), it didn’t work.
In 1970, an Italian newspaper published an exposé of Welles’ affair with Oja. Welles, who was editing the movie Don Quixote (1992) for more than a year with editor Mauro Bonanni, angrily left Italy forever to return to America, and Quixote was never finished.
Oja never became the fourth Mrs. Welles. A year after Orson’s death, the third Mrs. Welles (actress Paola Mori) and Oja finally agreed on the settling of his will. On the way to their meeting to sign the papers, however, Mrs. Welles was killed in a car accident. Subsequently, Oja reached an agreement with Beatrice Welles, daughter of Mori and Welles.
Member of the jury at the Venice Film Festival in 1991.