The average person takes around 23,000 breaths a day. Unless you’re suffering from a cold, most of those are probably silent, part of the soundless succession of respirations that keep us alive. Other breaths, though, do have sound: a bracing inhalation before opening an email, a huff dealing with an unhelpful customer service agent, a tense exhale in anticipation of walking out into the cold. These audible breaths are among the subtlest forms of expression, not as manifest as pulling a face or as demanding as speech, but just as revealing.
And no one understands their art quite like the actress Dakota Johnson.
Johnson’s breath acting would take on an even more central role in the Fifty Shades of Grey series. As the ingenue Anastasia Steele discovering the world of sadomasochism with Christian Grey (Jamie Dornan), Johnson’s breathing is used to signal her character steadying herself, her lust, and, of course, her pleasure. It is the scenes of tension, though, where Johnson’s breathing is the most communicative, indicating the nerves behind her performative confidence (a steadying breath) or the desire driving her negotiations with Christian (a shaky inhalation). One of the best moments is when she leaves Grey’s office for the first time, gasping for air, a sort of physical manifestation of the romantic ideal of someone stealing one’s breath away. Amusingly, it is the breathing during Johnson’s sex scenes that feels the least innovative, serving mostly as a reminder that Anastasia is a consenting participant who is enjoying the coupling.
Breathing as a form of seduction also exists in A Bigger Splash, another film where Johnson is an object of desire, although this time she is in more control. She is also more in control as an actress, with her breathing subtler than Anastasia Steele’s nearly Victorian pantings. Retrieving coins from a pool during one scene, she surfaces for air with a spent and suggestive gasp, turning even the necessary recovery of breath into a flirtation. In another, she offers a cigarette after an audible inhale, with her rush of breath signifying intimacy — the implication of bodies being close enough to catch each other’s softest sounds.
But if there is one masterclass in the subtle communicative power of breath, it is, fittingly, the 2018 remake of Suspiria — the title means “sighs.” Playing a young dance student, Susie Bannion, it sometimes seems as if Johnson has more breathing cues than she even has lines. Her early scenes are played out-of-breath, with a girlish excitement. Later, the sound of her breathing becomes necessary for conveying exertion, the physical toll that dance takes and the power it requires. That breathing plays a dual role, though, with Johnson’s breath amplified in the editing process, intentionally elevating respiration to a medium “like poems, like prayers, like spells,” as the movie says. She gasps, as if punched, as she swings an arm violently across her body; she huffs in an aggressive inhale as she brings her head up.
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As the movie progresses, Johnson’s breathing becomes more and more integral a soundtrack. We can hear her breathing when she collects herself, as well as her private exhales, as if she had been holding her breath. We hear her release a sigh when her long Amish hair is cut off. Although she speaks infrequently, and voices her thoughts even more rarely, the audience keeps pace with her fear, her exhalation, and her weariness by the measure of her breaths.
Breathing is a function of homeostasis, something essential to our existence but something that we almost never think about. It’s also a window into our internal life; while our sighs, gasps, and exhales might be mostly unconscious, they’re as important to revealing our thoughts and feelings to the people around us as our actual words.
By acting with her breath, Dakota Johnson doesn’t just fill a role. She embodies her characters, turning even their most basic life-giving act into a tool of her illusion.
DAKOTA JOHNSON IS SEEN TOPLESS FILMING SCENES “FIFTY SHADES FREED” ON A BEACH IN NICE
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Dakota Johnson
Actress
Dakota Mayi Johnson is an American actress and model. She is the daughter of actors Melanie Griffith and Don Johnson. She had her screen debut alongside her mother in the comedy-drama Crazy in Alabama and was named Miss Golden Globe in 2006.
Dakota Johnson FSOG
Born: October 4, 1989 (age 26), Austin, Texas, United States
Parents: Melanie Griffith, Don Johnson
Siblings: Stella Banderas, Jesse Johnson, Alexander Bauer, Deacon Johnson, Grace Johnson, Jasper Johnson
Grandparents: Tippi Hedren, Peter Griffith, Nell Johnson, Wayne Johnson
TV shows: Ben and Kate
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Dakota Johnson Topless and 50 Shades of Wet and Shimmering on Italian Beach Holiday!
Today seems to be shaping up rather nicely, with some alluring shapes that now includes the bare funbags of soon to be big time star Dakota Johnson frolicking topless through the shoreline water of Italy. While Dakota is known for some minor work and modeling and being Melanie Griffith and Don Johnson’s daughter, once 50 Shades of Grey comes out at Valentine’s expect her starring submissive role to rocket her to the top of the media awareness charts. And now you can say you’ve ogled her sweet tender funbags. Though I wouldn’t share that with your lady should you happen to be going to see this movie on Feb 14 of next year.
Short of perhaps making the sexy, my favorite backdrop for au natural ta-ta reveals might just be in and out of the waters of the topless beach. There’s just something magical when you add in the sun and the water and the happy beach fun time splashes. Dakota Johnson and her untouched by 90210 perfect peaches are certain to be circling your libido like a pinball tagging every bumper. Soak it in, remember this moment, and be happy you chose Egotastic over Forbes this morning. Enjoy.
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